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Lord of the Flies essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Lord of the Flies by William Golding.
Bosley Crowther wrote in The New York Times that "the picture made from it by the writer-director Peter Brook is a curiously flat and fragmentary visualization of the original. It is loosely and jerkily constructed, in its first and middle phases, at least, and it has a strangely perfunctory, almost listless flow of narrative in most of its scenes". 
Fear of the unknown on the island revolves around the boys terror of the beast. Fear is allowed to grow because they play with the idea of it. They cannot fully accept the notion of a beast, nor can they let go of it. They whip themselves into hysteria, and their attempts to resolve their fears are too feeble to convince themselves one way or the other. The recognition that no real beast exists, that there is only the power of fear, is one of the deepest meanings of the story.
The eventual arrival of the officer represents the only hope of their restoring their former identities. The officer is saddened by what he sees. What he sees are merely shadows of the once civilised English boys.
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